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Embodied Encounters offers a unique collection of essays written by leading thinkers and writers in film studies, with a guiding principle that embodied and material existence can, and perhaps ought to, also allow for the unconscious. The chapters included here engage with Jung and Freud, Lacan and Bion, and Klein and Winnicott in their interrogations of contemporary cinema and the moving image. In three parts the book presents examinations of both classic and contemporary films including Black Swan, Zero Dark Thirty and The Dybbuk :. Embodied Encounters is an eclectic volume which presents in one book the voices of those who work with different psychoanalytical paradigms. It will be essential reading for psychoanalysts and psychotherapists, scholars and students of film and culture studies and film makers. Dr Agnieszka Piotrowska is an internationally recognized award-winning theorist and film maker, best known for her documentary Married to the Eiffel Tower.
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Different stories lend themselves to different narrative styles and point of views POVs. The omniscient view is the broadest view. Through this viewpoint the narrator describes everything and everyone and may drop into any character at any time, and — in the case of a beginning writer — all too confusingly in the same paragraph. While this POV is the easiest one to use it is really the hardest to master.